Lady Macbeth's Breasts (SFW - honest!)

Lady Macbeth gets the academic treatment thanks to WPI Prof: Michelle Ephraim

We're a week away from the release of the new JULIET trade to bookstores, and to help celebrate that we have something cool for you Shakespeare academics.Michelle Ephraim, who was one of the scholars who helped to put together our Backstage Edition has thoughtfully provided us with a copy of a Kill Shakespeare inspired essay, entitled, rather provocatively: Lady Macbeth's BreastsMichelle talks in her piece about the role that sexuality plays in the depictions of Lady M, both in our comic, and in culture as a whole. It's a funny, thought-provoking and insightful take on one of my favourite characters in the canon, as well as one that gives us a pat on the back for having Lady M transcend her "femme fatale" tropes (yay, us!).It's a short and enjoyable read - and you can go here to get in on the fun!Or if you'd rather just read the whole thing now i'ts here below: Lady Macbeth’s Breasts Before venturing into the influential (and notoriously censorious) Texas library market, the Kill Shakespeare team took some professional advice and gave Lady Macbeth’s ample breasts a bit of a nip/tuck. Especially to the “side boob” swelling out from the periphery of her metal tank top. Even with this strategic augmentation, Lady Macbeth’s breasts are a formidable presence in KS. And even more than her signature props—daggers, poison, wine—the breasts are Lady Macbeth’s most defining accessory. At the end of Issue #6 (also the concluding chapter of Kill Shakespeare: Volume 1), Lady Macbeth is serving up plenty of wine and cleavage to her obsequious paramour, Iago. (You can practically hear him panting.) Issue #7, with which Kill Shakespeare: Volume 2 begins, picks up with the same tableau of booze and breasts, establishing the latter as a key visual and symbolic theme in KS’s grand design. These prominent breasts seem appropriate given Kill Shakespeare’s literary context. In Shakespeare, Lady Macbeth’s most famous speech, her furious response to Macbeth when he tries to renege on their plan to murder King Duncan, concerns this part of her anatomy: I have given suck, and knowHow tender ’tis to love the babe that milks me.I would, while it was smiling in my face,Have plucked my nipple from his boneless gumsAnd dashed the brains out, had I so sworn as youHave done to this. (1.7) The speech has launched many an academic publication on Lady Macbeth’s maternal history. Did she give birth? What happened to the kid? Regardless of the true story of little Macbeth, her anecdote is meant as a testimony to her toughness, her refusal to wuss out of any promise. Ultimately and ironically in Act I of Macbeth, Lady Macbeth cites the female breast to articulate her strong masculine attributes and, by contrast, her husband’s weak, feminine nature. We hear her plea to be rid of any and all nurturing attributes: “Come you spirits/Unsex me now, and take my milk for gall.” Just in the highly unlikely case there’s a residual drop of motherly compassion. But her real concern lies with her husband who’s “too full of the milk of human kindness.” Whereas she’s manned-up to the task of killing the king and usurping the throne, Macbeth has not; she must bully him into it. To this end, Lady Macbeth shames her husband: if he refuses the chance to kill Duncan he is unmanly, but if he takes this opportunity he will be “so much more the man.” Shakespeare’s Lady Macbeth demonstrates her feminine side by the end of the play, but it’s not a pretty sight. Senseless, sleepwalking, and suicidal, she embodies what contemporary medical discourse would have identified as textbook female hysteria. Modern American psychiatrist Isador Henry Coriat in his 1912 book The Hysteria of Lady Macbeth goes to town with this interpretative tradition: “Lady Macbeth is a typical case of hysteria; her ambition is merely a sublimation of a repressed sexual impulse, the desire for a child based upon the memory of a child long since dead” (28-9). KS, however, clears Lady Macbeth of any trace of maternal trauma or desire. She’s homicidal, not hysterical. She’s characterized by malevolence, not madness.[1] In gaining and maintaining the Scottish throne, she also succeeds where her Shakespearean prototype fails, but this is hardly enough for her. And unlike Shakespeare’s Lady Macbeth, she doesn’t rely on her husband to get what she wants; she simply rids herself of Macbeth, a nuisance of a husband and an obstacle to her own political ambitions. In fact, KS’s Scottish Queen doesn’t give her husband much thought at all. It’s Iago who comments on their inverted gender roles: “[Lady Macbeth] has none of the soft parts of her husband.” No soft parts, indeed. Those impressively pneumatic breasts are definitely not filled with milk, not even a drop of it. Instead of milk, she’s full of the sinister liquids of liquor and poison, which she administers without a trace of human kindness. Lady Macbeth’s breasts in KS might be seen as inflated, metaphorically, with her voracious ambition. Appropriately, they are also her most formidable weapon, insuring her husband’s lusty oblivion as she straddles him in bed . . . and murders him.  Instead of drinking the “nectar” between her legs as he happily expects, he gets poison thrust down his throat. As Lady Macbeth forces her liquid into him with her phallic vial, she is so much more the man. Like the stage and film productions that have depicted Lady Macbeth erotically, KS emphasizes a connection between a woman’s verbal and sexual aggressiveness. In the Renaissance, the oft-open mouth of a woman who talked excessively or forcefully was thought to have an analogous “openness” in her nether regions as well. In KS, Lady Macbeth’s skill at verbal manipulation hooks not only her husband, but Iago and King Richard II. In bed, she and Richard spar with “wit”--a word that for Shakespeare’s audience would have a double entendre as genitalia. Like their battle of wits, their competition for Shakespeare’s quill, an object with clear phallic symbolism throughout KS, is ultimately a fight for sexual and political domination. The most audacious adaptation of Lady Macbeth’s character in KS, more than her inspired cup size, is her new identity as a bona fide witch. Her magical cred supersedes that of the incanting Weird Sisters who submissively mumble their toil and troubles in her shadow.No matter how many Shakespearean scholars have argued for their similarities in Macbeth, there is no evidence that Shakespeare’s Lady Macbeth knows the three Weird Sisters, save for Macbeth’s mention of them. In Shakespeare’s tragedy, all four ladies may take gratification in controlling Macbeth, but only the witches have true agency; as she discovers, Lady Macbeth is just a poor player strutting and fretting her way to a really crappy fate. By promoting Lady Macbeth to witch status, KS ups the ante of the threat she poses to Macbeth, to Shakespeare, and, if we think about King James’ influential 1597 treatise on witchcraft, Demonologie, to the world of men in general. Richard is warned that she is “bewitching” and to “stay safe from her spells,” but he counters that she is merely his “possession, nothing more.” Nothing more, Richard? Are you sure about that? Shakespeare’s witches are sexual deviants who gets their kicks from screwing with men. Maybe from literally screwing them, too. They brag about removing a sailor’s thumb, a castration narrative KS evokes in Lady Macbeth’s fantasy of snatching the quill from Shakespeare. A well-endowed caricature of a Sexy Woman, Lady Macbeth would evoke a grotesque and subversive (and transgendered?) figure should she gain possession of the phallic quill, that penile appendage. With the quill, she would, as she declares to Richard, be “crowned king of this infinite space.” In Demonologie, King James’ deep paranoia about his subjects’ loyalty is on full display. He writes that women are susceptible to becoming “entrapped” by the “gross snares of the Devil” because they are weak, frail, disloyal creatures by nature. Once they become witches, the devil’s servants, they will launch a sexual and thus, political assault on every man they can get their hands on. Witches, he argues, have the power to:“[weaken] the nature of some men, to make them unable for women.” Unlike the bearded ugly witches in Shakespeare’s play, the extreme sexuality and physical beauty of KS’s Lady Macbeth only underscores, by contrast, the potentially sterilizing, castrating, and generally emasculating effects she has on men. What would King James make of her controlling the dagger that flies around trying to stab Hamlet and Shakespeare? Like the phallic vial of poison, the dagger is a weapon that is both physically and ideologically threatening in its symbolic usurpation of phallic power. It’s easy (and pleasurable) to imagine King James quaking with anger and pointing a shaky finger at this comic book Lady Macbeth. “See?,” he would mutter through clenched teeth, “I told you so!” At the end of Issue #12, after the big fight scene, Lady Macbeth disappears in a puff of magic smoke. It’s her own version of “I’ll be BAAACK.” Suddenly, that visually arresting eye candy of a body is gone, and we are left with . . . well, with eyes. Her eyes, staring out at us from the page. There is no body here, no breasts. Yet their gapingly absent presence is as much of a threat as they are, in all their gloriously visible cleavage, to the horny Iago. Shakespeare’s suicidal Scottish Queen becomes undone by her physicality—she just can’t seem to get that damn spot off her little hand. Not to mention the trauma of that lost child, the pet theory of Coriat and other psychoanalytic critics. There’s nothing little about Lady Macbeth’s character in Kill Shakespeare, but her enormous breasts, and perhaps her entire body itself, is a ruse. As the disembodied eyes suggest, she maintains a purely utilitarian relationship with her own body. Her real power isn’t her well-endowed physique but rather her ability to deploy it and collapse it. In this sense, her magic allows her to transcend the physical body, freeing her from the matters of flesh and blood—such as the prophecy of Banquo’s children who will succeed the childless Macbeths—that sunk her sixteenth-century prototype. Michelle EphraimAssociate Professor of EnglishWorcester Polytechnic Institute 

[1]

In Shakespeare, Lady Macbeth betrays a soft spot early on: she says she won’t kill King Duncan because he resembles her father. On the other hand, a reader could imagine

KS

’s Lady Macbeth nonchalantly offing a family member should she get the chance.

WHAT A RIDE!

Finally....Wow. What a ride that was. The path to get Juliet from our brain to your eyes has been a far crazier and more rewarding one than I could ever have imagined.We sent off the final issue to the Printer's this Friday -- almost a full year after the first pages were drawn. If you had told me it was going to take us a YEAR to get four issues done -- I would have laughed in your face. No WAY. The book was totally written by November, this thing was going to go off without a hitch.Ha. What was that they say about "best laid plans....?"Somehow, in-between that first page and last Friday, there's been numerous family illnesses, two floods, one team member who had to leave, a busted up car, more trips to Cons than I can count, and 100 pages (And counting - don't worry, we have a bad-ass back-up story for the trade) of the best work we've done on Kill Shakespeare so far.I want to thank Corin Howell, our incredible inker and penciler who had to juggle the family illness, the busted up car and one of the floods alongside the on-going work she's been doing for BOOM! and IDW AND the incredible stuff she's done for us. Corin, you're ability to nail all the biggest emotional moments, the beautiful backgrounds you've littered the book with, and your good nature and amazing laugh have made this journey a pleasure. KS will ALWAYS miss Andy Belanger, but you've proven to be more than worthy of being his successor.Alex Lillie and Shari Chankahamma -- what a tag team. We'd worked with Shari before on Tide and Mask, and so I was SO excited when we got her back for Juliet, and then SO devastated when we lost her half-way through to a dream opportunity that she HAD to say yes too. Into the void stepped Alex. You can't possibly believe this, but this is ALEX'S  FIRST MAJOR COLOURING JOB IN COMICS!!! To be thrown into a series that has the depth of mythology as KS, and halfway into a book, is incredibly hard, yet Alex was amazing. I think you'll agree that hers was an incredible rookie season.I also have to thank Simon David and Adam Gorham, our exceptional cover-artists. Simon did work for us on Tide of Blood (the iconic Skull, and, perhaps my fave of all time, the bloody Prospero emerging from a book), and being able to hand him all four covers was a dream. He churned out four more brilliant covers -- including what be my NEW favourite, his chilling take on Issue #4...Adam is also SORT of new to the KS family. Those with keen eyes will have spotted his work here and there before, but this was the first time we could get him for a full run, and he did not disappoint. His issue #1 cover is one of the best things I think he's ever done. It kills me that we can only have one cover for the trade... because there is so much good stuff in here.Toby Malone has a credit you don't see a ton in comics -- Story Editor, but he was invaluable in shaping the tale. His knowledge of Shakespeare is peerless, and there is more than one reference to the Bard that originated in his nimble brain. He also constantly had me thinking about how to best deliver the story concisely and with maximum emotion. He's a real talent - and any writer would do well to work with him.I also HAVE to thank the team at IDW -- Tom Waltz our fearless editor, who helped keep us on track story-wise, and was there when I was freaking out when we lost Shari, Corin had to go to be by her Father's side, and the roof of my house threatened to collapse.  When I found out we weren't getting Chris Mowry, the letterer for the first four KS volumes, I'll admit, I was nervous. Shawn Lee took those nerves, made them a cup of tea, and tucked'em in with a good book. Shawn's lettering is instinctive, insightful, and never ever obscures the artist's work. That's the true mark of a great letterer -- knowing that the "image is the thing." Shawn, I'm a believer.Last, but not least, I need to thank my partner in crime - Anthony Del Col. We started committing Bardicde way back in 2008, and now almost a decade later we're still going strong (or at least WE think so). I'm so grateful that Anthony was willing to give me a chance to take KS in this direction. It would have been easy for him to have felt threatened, or wanted to control things, but that's not the kind of guy he is. All he cares about is good story, and once we figured out what THIS ONE was, he supported me whole-heartedly (The "Cassio" twist is a direct result of Anthony challenging me to take the story to a better place.)Thanks Anthony. I'm blessed to get to tell stories with you.Actually, the REAL last but not list are you, the readers. When we first dreamed-up Kill Shakespeare we had no idea if we could find an audience or not, and then you came into our lives. We're on the seventh printing of Volume 1, we've been able to take our little baby from the page to the stage, to the board (game), and now to TV. Without you folks reading, commenting, challenging us, we would never have come even half this far. I hope you find Juliet an excellent addition to the canon. At the end of the day we're here to serve you.  Lots of love,Conor

Issue #3 is FINALLY here -- it got a little Shakespearean there for a second.

Hey everyone,Today is a bittersweet day for the Kill Shakespeare team.  On one hand we're thrilled that issue #3 of Juliet is out. We think it's the best issue of the series - a giant sized 28 pages of story that we hope feels as Shakespearean as anything we've ever done. Corin Howell's art has hit another level for this one, and I think it's one of the best issues I've ever written.You may have noticed, however, that there's been a delay in getting this issue out -- originally #3 was supposed to be out LAST month and #4 was supposed to hit stores now.That's the bittersweet part. You see, it's been fairly Shakespearean behind the scenes here in the ol' KS world. Corin's Dad got sick early this year. He had to go into the hospital for surgery a couple of times. Thankfully he's going to be o.k., and we're so happy about that, but as you can imagine helping to take care of her family was Corin's top priority, and so that meant the book had to come second. Which is the right choice.For those of you who have the book you MAY have noticed that the colours seem a bit different. Well, that's part of the drama too...The OTHER bittersweet moment came because we had to say adieu to long-time colourist Shari Chankahamma. Shari whose been with us since Book 3 was offered an amazing opportunity to pencil and ink a project and there was no way we were going to stand in her way. That DID result in a delay though as we found a new colourist who could fit into Shari's style.Enter Alex Lille, our saviour (and big thanks to Keith Morris for helping us find her!)  This is Alex's first crack at a regular series, and she's still finishing up her degree in SoCal, so we decided that rather than rush her, it was best to take our time and make this book look as good as possible. All that add's up to a longer production cycle than we were hoping for, and it means that issue #4 is also going to be delayed -- with it looking to come out in August (it's almost finished on our end.)So, our apologies for the delay, but I hope you'll all understand the reasons behind it.Thanks to all of you.C

Conor hits the airwaves!

 A couple of days before Juliet #1 was released I had the privilege of going on the radio in NYC to make an appearance on the Stuph File - an  eclectic radio program hosted by Peter Anthony Holder. We talked about Kill Shakespeare, the new series Juliet, the hidden city of my birth, and EXACTLY how arrogant we were in deciding to rewrite this little known literary hack called Shakespeare...I'm on with a doctor who invented a "Hangover Heaven Bus" to help the, uh,  overly enthusiastic denizens of Las Vegas, and a super  talented writer/producer of the web-series 'Riley' - about a child star's life gone horribly, hilariously wrong as an adult.Go here to check out the episode -- we're #0398 if it's no longer at the top of the page.But if you're not interested in one of the most bizarre news summaries you'll ever hear, the Doctor to the Drunk, the fate of a child star all-  grown up, and The Idiot of The Day, you can just listen to my segment here.Enjoy!      

An Afternoon (and early evening) in Paradise!

Just wanted to write a quick thanks to everyone who took the time to come out to our signing for JULIET #1 at the AMAZING Paradise Comics.I had a great time seeing some old friends (Keith WTS Morris, yes! Doug and Peter), and making LOTS of new ones (including Peter's terminally cute little girl, Violet.) Below are pictures of super fans, Rachel, Dominic (aka the Kiwi Kid), The Voltron Sisters, the Big A and Terran - whose also the winner of out Twitter picture contest and will now win a copy of Juliet #1 when it comes out in trade.Can't wait to do it all again for issue #2!

CAPTION CONTEST

It's contest time!With Kill Shakespeare - Past is Prologue: Juliet #1 just a week away (WEDNESDAY, APRIL 5th), it's time to do some fun things to get us all ready for the latest chapter in our tale. Below is a panel from issue #1 of Juliet.Send us your best caption for it and the winner will receive a Kill Shakespeare prize-pack including books, t-shirts and more! For those of you not familiar with Juliet it takes place roughly five months after the end of Romeo & Juliet, where our heroine, still mourning the death of her beloved Romeo again comes face to face with death. This time the victim is her mother, and this time Juliet has reason to suspect it was not suicide, but a murder most foul. Now the headstrong and passionate young woman will be plunged into a world of rebels, mercenaries, and wise fools as she tries to bring her Mother's killer -- before Juliet herself is the next victim.It's the perfect place for a new reader to jump into the Kill Shakespeare Universe, and for you, our dedicated fans, it answers some of the questions we get the most: how did a girl, best known for being a star-cross'd lover come to lead a rebellion?As the Bard himself wrote "...be not afraid of greatness."All the best,Conor 

Our run on Assassin's Creed is coming to an end...

Like all good adventures, our ongoing run on Assassin’s Creed is coming to an end.Two weeks ago Conor and I submitted our script for Assassin’s Creed #14. We knew at the time it was our final issue in the current run and made sure to jam it (as well as the previous Issue #13) with as much character and action moments as possible (and a couple very jarring deaths, too). And when the final words “The End” were typed on the final page, I sat back and reflected upon how much fun it had been to bring these characters to life.It was both a melancholy – and proud moment.In early 2015 we were approached by Titan editor Lizzie Kaye asking if we’d be interested in pitching on a video game property license. She didn’t tell us which one but would after we signed an NDA (non-disclosure agreement). As I was signing it I was singing to myself, like some sort of mantra: “Please let it be Assassin’s Creed… Please let it be Assassin’s Creed…” And, well, you know what the end result was.From our release last year at New York Comic-Con (with rave reviews) through to a panel at FanExpo Canada a month ago, it’s been a wild ride.Conor and I are proud of what we’ve been able to create. Our main character, Charlotte de la Cruz, has been so fun to create and write for. Like all great characters, she’s flawed – a little too impulsive, a little too argumentative and stubborn – but she’s also determined, caring an idealistic. We’ve also enjoyed writing for the time periods she’s delved into, especially the Salem Witch Trials (I read a half-dozen books about the era before writing a single word of the script). I’ve thoroughly enjoyed creating within a world that has such a HUGE fanbase. So many followers on social media and at shows help to bring this property to life. And it’s only natural! It’s such an amazing world Ubisoft has been able to create! The reason I really loved the video games in the first place is that it’s both entertaining and enlightening. It’s an incredibly immersive world in which you get to travel back to times like Renaissance Italy and Revolutionary France and feel like you’re almost there. There are so many people to thank and give props to. Our original editor at Titan, Lizzie Kaye, who had the confidence that we could create some great stories within the world. She’s a superstar and a great editor (and even came to my talk at the Globe Theatre in May, 2015) to cheer me on). She passed the baton on to the uber-cool Tom Williams, who has helped shepherd the final few issues and is tasked with keeping our tale alive. The others at Titan Comics - Andrew James, Chris Teather, Lucy Ripper, Will O’Mullane, Ricky Claydon – who have created a fantastic support system for us.  Fred Van Lente, the writer of the companion Templars series has been a great confidante that I could discuss ideas and characters with (very convenient since we’re only a ten-minute ride away from one another). And there’s the squad at Ubisoft – game writer (and guitarist supreme) Richard Farrese, the worldly superpower Anouk Bachman, and the silent but deadly Clemence Deleuze. And Ubisoft’s Aymar Azaizia, who I always seem to be on panels with and we start talking about the coolest immersive media projects out there!)I must give props to my two collaborators. Neil Edwards has been our artist since day one and he’s been great to work with. He’s the one that designed Charlotte’s look and I think he really brought a little bit of her Latin flair to the mix. And of, course, my co-writer Conor, who brought his trademark humor, dialogue and scripting skills to each and every issue. And thanks to all of you that read the series. I know that as time goes on more fans will discover our books and it’s great to chat with those that have, asking questions about specific characters and situations.I’d like to wish the upcoming creative team – Dan Watter, Alex Paknadel and Jose Holder – the best as they take the reins. I know you’ll love working with the squad and enjoy it! It’s an amazing sandbox you get to play in. There are some ideas and worlds that we didn’t have a chance to delve into (I had an amazing Eternal Sunshine of the Spotless Mind-esque storyline that would have been amazing!) but I’m happy with what we’ve been able to create in our three arcs. And I’m sure you’ll see us back in the Assassin’s Creed world at some point in the future. In the meantime, enjoy our final three issues. Issue #12 is released this week (I’ll have some for sale at New York Comic-Con this weekend) and, as I said, our final two issues are rocking fun times.Much like Charlotte de la Cruz, I’m really happy to have been selected for this mission. And I’m excited to see what comes next.Anthony 

I'll be at New York Comic-Con this week!

Hello fans!Things have been busy here in Kill Shakespeare Land with lots of work and deadlines of late. Many things to announce in the coming months...But first, I want to announce that I'll be attending New York Comic-Con this upcoming week in my adopted city!I'l be at Table 1249 the entire weekend, along with some helpers at the table. I'll have copies of all Kill Shakespeare volumes, our board game, our ShakesGear t-shirts, and copies of Assassin's Creed (Volume 1 and issues 6-12) and Sherlock Holmes vs Harry Houdini. And you'll be able to find out more about our future projects as well!I'll also be attending a few panels and signings. These include:Dynamite Comics' Panel - Thu, Oct 6 @ 7:45pm (Room 1A02)How to Self-Publish - Fri, Oct 7 @ 11am (Room 1A02)Assassin's Creed Signing - Sun, Oct 9 from 12 noon - 1pm (Titan Comics' Booth)So come by and visit me - it's gonna be a great show! 

Our Threadless Artist Shop is NOW OPEN!

One of the greatest frustrations we've had on the convention scene is having to tell customers, especially our American ones, that while our SHAKESGEARE line of shirts is available, that shipping out of Canada starts to get crazy expensive.Well, we're happy to announce that won't be a problem anymore.We now have a THREADLESS ARTIST SHOP. For those of you who don't know Threadless is THE place to buy awesome t-shirts on the wen, and now our cool designs are there too. Being with them means much better shipping options across the USA as well as making it easy to offer new products like long-sleeve shirts, hoodies, and customizable colours for the shirts.          We're also SUPER EXCITED to offer some NEW DESIGNS. We've had so many people ask to get the Tide of Blood cover on a T that we just HAD to listen -- that'll be up soon --  but here are a couple of the new goodies available RIGHT NOW!           The only trick is that if you search their site for 'Kill Shakespeare' you won't find our artist shop - you need to cruise right in to the URL which you can find at this link. Put it in your bookmarks and you'll never go wanting for Kill Shakespeare clothing!  

Sneak Peek at NEW PAGES!

As some of you have seen, Kill Shakespeare is coming back to the page.We're working on our fifth book, "Juliet" which is going to take a step back from the main story to show you how Juliet started on the path towards becoming Prodigal leader. Set just a a few months after the end of Romeo and Juliet, we pick up our heroine as an angry young woman, who still feels guilt over Romeo's death, and isn't sure that she deserved to have survived.  A horrific murder will give Juliet a cause, bloody vengeance, and pit her against one of Shakespeare's nastiest villains, Cornwall from King Lear. Can Juliet get revenge? And will she lose herself in the process?Unfortunately for us, the uber-talented Andy Belanger can't join us this time out, so instead we have tapped the ALSO uber-talented Corin Howell! She's best known for her work with BOOM! (Power Rangers), Viz Media (Bravest Warriors), Oni (The Mighty Zodiac) and IDW (Transformers), and now we've got her doing pencils and inks for our baby!Vaneda Vireak, whose work featured in the back-up story for The Mask Of Night is on-board to colour the book and we could not be happier with their work.Ah heck, why don't we stop gushing and SHOW you?Below are some pencils from the first chapter of the series - we'd love to hear your thoughts on this new comic-adventure!

Assassin's Creed: Volume 1 Released this Week (with signing at Barnes & Noble!)

It's been a while since I've posted anything on this site. Again, my apologies... but today I will take a moment to post a great new piece of information!ASSASSIN'S CREED VOLUME 1: TRIAL BY FIRE is released in book stores across the world this week!“It’s a fantastic video game based title., it really captures a lot of spirit of Assassin’s Creed…captures your imagination from the get-go” - The Mary SueThis first volume collects the first five issues of our series, which introduces us to Charlotte de la Cruz, an over-educated and under-employed millennial that is recruited by a mysterious organization known as the Assassins to go into the memories of her ancestor using the Salem Witch Trials.To celebrate this launch, I will be doing a signing at the Barnes & Noble at Union Square, Manhattan (33 East 17th Street) this Friday (June 10th). You can get some details here but swing by anytime between 7 - 9 to pick up a copy, say hello, and have some fun!   

Assassin's Creed #6 Released This Week!

Sorry I've been so silent on this end. Things are really busy with a LOT of projects on the go, and some really cool developments and announcements coming in the near future.But let's not get ahead of myself... I'm here to talk about Assassin's Creed, as our title suggest.ASSASSIN'S CREED #6 is released in comic shops (and online) this week - Wednesday, March 16th. It's the beginning of our second arc, which means we keep some characters (our modern-day tale with Charlotte de la Cruz and her teammates) and introduce new ones. For the latter, it means that we talk Charlotte to the Last Days of the Inca Empire, circa 1536. It's an amazing time in history - and an incredible society - and we focus on a new historical character called Quila, who is a "Chasqui" (a messenger) who is responsible for bringing messages back and forth between locales. The Inca society was quite developed and had created their own form of composed communication, and it's one of these messages that Quila must deliver when she discovers it features dangerous information.You can access a preview of the pages here.The great artist Paul Pope does our A cover for this issue: it's a great one:So pick up your copy this week! 

The Year of Shakespeare!

 To post, or not to post...I'm back after a two-week sojourn into the colds of Canada... Actually, I took two weeks with Lisa to celebrate the holidays and am now back to the grindstone, plugging away at scripts for projects already announced or soon-to-be-announced. The last year (2015) was a great one, and it's looking like 2016 will be even better.Not only that, it's also the Year of Shakespeare around the world. Why? Well, it's the 400th anniversary of Shakespeare's death (he died on his birthday, April 23, 1616). Shakespeare organizations from around the world will be celebrating and acknowledging this with a great deal of pomp and circumstance. And for us? Well, we have a few things up our sleeves but nothing to announce quite yet but stay tuned - there are at least two big things we'll be involved with this year that are Kill Shakespeare-related. 

Assassin's Creed #3 in Stores (and online) Tomorrow!

Yes, it's been a while since I've posted anything. I apologize to the regular readers of this blog but I've been pretty, pretty busy with a wide range of personal and professional things. Look for a few big announcements in January regarding new projects - it's an exciting time here in New York!As for my return to the site? Well, it's because I wanted to share that our next issue of ASSASSIN'S CREED (the third issue) will be in comics shops and online tomorrow (Wed, Dec 9th). We're excited about this issue - there's some really great visuals, a riveting story with our leads Charlotte de la Cruz and Tom Stoddard, and some new insights into the Salem Witch Trials period.The official write-up is:Desperate to escape from the horrors of Salem, Tom must place his trust in the hands of a stranger, and go against every instinct he has as an assassin, and man, to save the terrified travelers relying on him. For Charlotte, time's running out as the Templar threat moves closer...And here are the covers for the issue:So pick up at issue at your local comic shop (or online at Comixology) and let us know what you think!   

Assassin's Creed Released to Great Acclaim!

Thanks SO MUCH to everyone in the last week that has purchased, read, reviewed, enjoyed, commented on ASSASSIN'S CREED #1, released last Wednesday. We were so happy to hear about how great the pre-orders were and the early reviews. Some reviews are here, here and here. We, along with Ubisoft and Titan Comics are thrilled with the response. Thanks so much!We have some great story coming up for you so keep following us and keep reading Assassin's Creed!If you haven't read it yet, you can find a preview of the first issue here. 

New York Comic-Con!

Hello! It's been a while as I've been quite busy over the last month with  lot of stuff going on and lots of news to announce in the coming months. It's a little frustrating as I love to be able to post information regularly for our readers but, alas, I also need to make time to do, well, actual creative work that I will be able to write about!But today I write about this weekend... The New York Comic-Con!Yes, we will be attending the New York Comic-Con this weekend (Oct 8 -11) at the Javits Centre. It's the second-largest comic convention in North America and seems to grow bigger and bigger each year (with attendance hitting about 150,000, from what I've been told). It's always our biggest show of the year and this year it'll be just as big for us!WHERE WE'LL BE (OUR BOOTH)We'll be at the same spot we've had for the last three years - BOOTH #1249, locating in Small Press area and close by the Marvel and Image booths. It's a great spot and we're happy to return. Conor will be overseeing the operation this weekend and I will be there on Thursday, Friday and Sunday. And joining us this time around is our amazing Marketing Coordinator Keith Morris! So swing by to pick up copies of Kill Shakespeare (including our recently-released hardcover book), Sherlock Holmes vs Harry Houdini (now available in graphic novel!), our board game, our t-shirts, and the first issue of Assassin's Creed (being released on Wed, Oct 14th!).ASSASSIN'S CREED - PANEL AND SIGNINGSTo celebrate the release of Assassin's Creed #1, we'll be taking part in a number of signings and a panel talk with Titan Comics. Our signings will be:Thur 3:15 - 4:15 - Titan Comics Booth # 2142Fri 1:30 - 2:30 - Titan Comics Booth # 2142Sat 2 -3 - Titan Comics Booth # 2142And our panel is:PANEL: ASSASSIN’S CREED COMICS PANELTime: 1:45PM – 2.45PM - Room IA24Guests: Richard Farrese (AC Scriptwriter at Ubisoft), Aymar Azaizia (AC Head of Content), Anthony Del Col (writer), Conor McCreery (writer), Dennis Calero (artist), Fred Van Lente (Templars writer), Andrew James (Executive Editor) So come by and say hello - it would be great to see you! 

Covers for Assassin's Creed #1

Here are the six covers for the first issue of Assassin's Creed coming out next month with Titan Comics. Which cover do you like best? 

FanExpo, here we come!

It's that time of year! No, I'm not referring to cooler weather or the purchase of backpacks and pencil cases... I'm referring to FanExpo Canada in Toronto!Conor and I will be attending this year's show for our fifth straight year. Wow, it's been five years! Maybe six? I've lost track by now. It's always one of our best shows and this year we're excited to have it serve as the official launch pad for our new book SHERLOCK HOLMES VS HARRY HOUDINI! Though the book hits stores on September 10th you'll be able to find a limited number of copies at the show this year.This year's FanExpo runs from Thu, Sep 3 - Sun, Sep 6th at the Metro Convention Centre. Conor and I will be located in Artist Alley at Table P59 all weekend.  

HOLMES VS HOUDINI released next week!

I apologize if I haven't been able to post a firm release date for the collected SHERLOCK HOLMES VS HARRY HOUDINI but a number of overseas printing/shipping problems have kept everything up in the air. But we now know for certain when it is...SHERLOCK HOLMES VS HARRY HOUDINI: VOLUME 1 will be released next week (Wed, Aug 26th) in comic shops around the world!We're excited to see our tale in one complete book. We've made a couple small corrections and additions to this final product which we think you'll enjoy reading through. So check out the book when it's released.(Please note that the book will be released at book stores around the world two weeks later - Wed, Sep 9th.) 

Pre-Order Your Copy of Assassin's Creed #1 This Month!

Last week Conor and I spent two days in Montreal, meeting with the key content brain trust for Assassin's Creed. It was a creatively energizing time for me, finding out more about the immersive world of the franchise, future plans, and how we can add to the lore of the world. See photo below...Artist Neil Edwards is busy at work on the art and what we've seen thus far has been great - we're excited to show you artwork when we can.As for the first issue, it's scheduled for release on October 14th. And you have a chance to pre-order your copy this month at all comic shops!Here is the two-page spread in Previews magazine (the ordering catalogue for comic retailers), which highlights the series and some art:Go to your local comic shop and as for them to pre-order this book. The order code is AUG151704 (regular cover) with alternative covers available as well.We'll post more information over the coming weeks.And here's a photo from Montreal from last week, with Conor and I and the creative brain trust (along with editor Lizzie Kaye and writer Fred Van Lente):