Lady Macbeth's Breasts (SFW - honest!)
Lady Macbeth gets the academic treatment thanks to WPI Prof: Michelle Ephraim
We're a week away from the release of the new JULIET trade to bookstores, and to help celebrate that we have something cool for you Shakespeare academics.Michelle Ephraim, who was one of the scholars who helped to put together our Backstage Edition has thoughtfully provided us with a copy of a Kill Shakespeare inspired essay, entitled, rather provocatively: Lady Macbeth's BreastsMichelle talks in her piece about the role that sexuality plays in the depictions of Lady M, both in our comic, and in culture as a whole. It's a funny, thought-provoking and insightful take on one of my favourite characters in the canon, as well as one that gives us a pat on the back for having Lady M transcend her "femme fatale" tropes (yay, us!).It's a short and enjoyable read - and you can go here to get in on the fun!Or if you'd rather just read the whole thing now i'ts here below: Lady Macbeth’s Breasts Before venturing into the influential (and notoriously censorious) Texas library market, the Kill Shakespeare team took some professional advice and gave Lady Macbeth’s ample breasts a bit of a nip/tuck. Especially to the “side boob” swelling out from the periphery of her metal tank top. Even with this strategic augmentation, Lady Macbeth’s breasts are a formidable presence in KS. And even more than her signature props—daggers, poison, wine—the breasts are Lady Macbeth’s most defining accessory. At the end of Issue #6 (also the concluding chapter of Kill Shakespeare: Volume 1), Lady Macbeth is serving up plenty of wine and cleavage to her obsequious paramour, Iago. (You can practically hear him panting.) Issue #7, with which Kill Shakespeare: Volume 2 begins, picks up with the same tableau of booze and breasts, establishing the latter as a key visual and symbolic theme in KS’s grand design. These prominent breasts seem appropriate given Kill Shakespeare’s literary context. In Shakespeare, Lady Macbeth’s most famous speech, her furious response to Macbeth when he tries to renege on their plan to murder King Duncan, concerns this part of her anatomy: I have given suck, and knowHow tender ’tis to love the babe that milks me.I would, while it was smiling in my face,Have plucked my nipple from his boneless gumsAnd dashed the brains out, had I so sworn as youHave done to this. (1.7) The speech has launched many an academic publication on Lady Macbeth’s maternal history. Did she give birth? What happened to the kid? Regardless of the true story of little Macbeth, her anecdote is meant as a testimony to her toughness, her refusal to wuss out of any promise. Ultimately and ironically in Act I of Macbeth, Lady Macbeth cites the female breast to articulate her strong masculine attributes and, by contrast, her husband’s weak, feminine nature. We hear her plea to be rid of any and all nurturing attributes: “Come you spirits/Unsex me now, and take my milk for gall.” Just in the highly unlikely case there’s a residual drop of motherly compassion. But her real concern lies with her husband who’s “too full of the milk of human kindness.” Whereas she’s manned-up to the task of killing the king and usurping the throne, Macbeth has not; she must bully him into it. To this end, Lady Macbeth shames her husband: if he refuses the chance to kill Duncan he is unmanly, but if he takes this opportunity he will be “so much more the man.” Shakespeare’s Lady Macbeth demonstrates her feminine side by the end of the play, but it’s not a pretty sight. Senseless, sleepwalking, and suicidal, she embodies what contemporary medical discourse would have identified as textbook female hysteria. Modern American psychiatrist Isador Henry Coriat in his 1912 book The Hysteria of Lady Macbeth goes to town with this interpretative tradition: “Lady Macbeth is a typical case of hysteria; her ambition is merely a sublimation of a repressed sexual impulse, the desire for a child based upon the memory of a child long since dead” (28-9). KS, however, clears Lady Macbeth of any trace of maternal trauma or desire. She’s homicidal, not hysterical. She’s characterized by malevolence, not madness.[1] In gaining and maintaining the Scottish throne, she also succeeds where her Shakespearean prototype fails, but this is hardly enough for her. And unlike Shakespeare’s Lady Macbeth, she doesn’t rely on her husband to get what she wants; she simply rids herself of Macbeth, a nuisance of a husband and an obstacle to her own political ambitions. In fact, KS’s Scottish Queen doesn’t give her husband much thought at all. It’s Iago who comments on their inverted gender roles: “[Lady Macbeth] has none of the soft parts of her husband.” No soft parts, indeed. Those impressively pneumatic breasts are definitely not filled with milk, not even a drop of it. Instead of milk, she’s full of the sinister liquids of liquor and poison, which she administers without a trace of human kindness. Lady Macbeth’s breasts in KS might be seen as inflated, metaphorically, with her voracious ambition. Appropriately, they are also her most formidable weapon, insuring her husband’s lusty oblivion as she straddles him in bed . . . and murders him. Instead of drinking the “nectar” between her legs as he happily expects, he gets poison thrust down his throat. As Lady Macbeth forces her liquid into him with her phallic vial, she is so much more the man. Like the stage and film productions that have depicted Lady Macbeth erotically, KS emphasizes a connection between a woman’s verbal and sexual aggressiveness. In the Renaissance, the oft-open mouth of a woman who talked excessively or forcefully was thought to have an analogous “openness” in her nether regions as well. In KS, Lady Macbeth’s skill at verbal manipulation hooks not only her husband, but Iago and King Richard II. In bed, she and Richard spar with “wit”--a word that for Shakespeare’s audience would have a double entendre as genitalia. Like their battle of wits, their competition for Shakespeare’s quill, an object with clear phallic symbolism throughout KS, is ultimately a fight for sexual and political domination. The most audacious adaptation of Lady Macbeth’s character in KS, more than her inspired cup size, is her new identity as a bona fide witch. Her magical cred supersedes that of the incanting Weird Sisters who submissively mumble their toil and troubles in her shadow.No matter how many Shakespearean scholars have argued for their similarities in Macbeth, there is no evidence that Shakespeare’s Lady Macbeth knows the three Weird Sisters, save for Macbeth’s mention of them. In Shakespeare’s tragedy, all four ladies may take gratification in controlling Macbeth, but only the witches have true agency; as she discovers, Lady Macbeth is just a poor player strutting and fretting her way to a really crappy fate. By promoting Lady Macbeth to witch status, KS ups the ante of the threat she poses to Macbeth, to Shakespeare, and, if we think about King James’ influential 1597 treatise on witchcraft, Demonologie, to the world of men in general. Richard is warned that she is “bewitching” and to “stay safe from her spells,” but he counters that she is merely his “possession, nothing more.” Nothing more, Richard? Are you sure about that? Shakespeare’s witches are sexual deviants who gets their kicks from screwing with men. Maybe from literally screwing them, too. They brag about removing a sailor’s thumb, a castration narrative KS evokes in Lady Macbeth’s fantasy of snatching the quill from Shakespeare. A well-endowed caricature of a Sexy Woman, Lady Macbeth would evoke a grotesque and subversive (and transgendered?) figure should she gain possession of the phallic quill, that penile appendage. With the quill, she would, as she declares to Richard, be “crowned king of this infinite space.” In Demonologie, King James’ deep paranoia about his subjects’ loyalty is on full display. He writes that women are susceptible to becoming “entrapped” by the “gross snares of the Devil” because they are weak, frail, disloyal creatures by nature. Once they become witches, the devil’s servants, they will launch a sexual and thus, political assault on every man they can get their hands on. Witches, he argues, have the power to:“[weaken] the nature of some men, to make them unable for women.” Unlike the bearded ugly witches in Shakespeare’s play, the extreme sexuality and physical beauty of KS’s Lady Macbeth only underscores, by contrast, the potentially sterilizing, castrating, and generally emasculating effects she has on men. What would King James make of her controlling the dagger that flies around trying to stab Hamlet and Shakespeare? Like the phallic vial of poison, the dagger is a weapon that is both physically and ideologically threatening in its symbolic usurpation of phallic power. It’s easy (and pleasurable) to imagine King James quaking with anger and pointing a shaky finger at this comic book Lady Macbeth. “See?,” he would mutter through clenched teeth, “I told you so!” At the end of Issue #12, after the big fight scene, Lady Macbeth disappears in a puff of magic smoke. It’s her own version of “I’ll be BAAACK.” Suddenly, that visually arresting eye candy of a body is gone, and we are left with . . . well, with eyes. Her eyes, staring out at us from the page. There is no body here, no breasts. Yet their gapingly absent presence is as much of a threat as they are, in all their gloriously visible cleavage, to the horny Iago. Shakespeare’s suicidal Scottish Queen becomes undone by her physicality—she just can’t seem to get that damn spot off her little hand. Not to mention the trauma of that lost child, the pet theory of Coriat and other psychoanalytic critics. There’s nothing little about Lady Macbeth’s character in Kill Shakespeare, but her enormous breasts, and perhaps her entire body itself, is a ruse. As the disembodied eyes suggest, she maintains a purely utilitarian relationship with her own body. Her real power isn’t her well-endowed physique but rather her ability to deploy it and collapse it. In this sense, her magic allows her to transcend the physical body, freeing her from the matters of flesh and blood—such as the prophecy of Banquo’s children who will succeed the childless Macbeths—that sunk her sixteenth-century prototype. Michelle EphraimAssociate Professor of EnglishWorcester Polytechnic Institute
In Shakespeare, Lady Macbeth betrays a soft spot early on: she says she won’t kill King Duncan because he resembles her father. On the other hand, a reader could imagine
KS
’s Lady Macbeth nonchalantly offing a family member should she get the chance.
Issue #3 is FINALLY here -- it got a little Shakespearean there for a second.
Hey everyone,Today is a bittersweet day for the Kill Shakespeare team. On one hand we're thrilled that issue #3 of Juliet is out. We think it's the best issue of the series - a giant sized 28 pages of story that we hope feels as Shakespearean as anything we've ever done. Corin Howell's art has hit another level for this one, and I think it's one of the best issues I've ever written.
You may have noticed, however, that there's been a delay in getting this issue out -- originally #3 was supposed to be out LAST month and #4 was supposed to hit stores now.That's the bittersweet part. You see, it's been fairly Shakespearean behind the scenes here in the ol' KS world. Corin's Dad got sick early this year. He had to go into the hospital for surgery a couple of times. Thankfully he's going to be o.k., and we're so happy about that, but as you can imagine helping to take care of her family was Corin's top priority, and so that meant the book had to come second. Which is the right choice.For those of you who have the book you MAY have noticed that the colours seem a bit different. Well, that's part of the drama too...The OTHER bittersweet moment came because we had to say adieu to long-time colourist Shari Chankahamma. Shari whose been with us since Book 3 was offered an amazing opportunity to pencil and ink a project and there was no way we were going to stand in her way. That DID result in a delay though as we found a new colourist who could fit into Shari's style.Enter Alex Lille, our saviour (and big thanks to Keith Morris for helping us find her!)
This is Alex's first crack at a regular series, and she's still finishing up her degree in SoCal, so we decided that rather than rush her, it was best to take our time and make this book look as good as possible. All that add's up to a longer production cycle than we were hoping for, and it means that issue #4 is also going to be delayed -- with it looking to come out in August (it's almost finished on our end.)So, our apologies for the delay, but I hope you'll all understand the reasons behind it.Thanks to all of you.C
Conor hits the airwaves!
A couple of days before Juliet #1 was released I had the privilege of going on the radio in NYC to make an appearance on the Stuph File - an eclectic radio program hosted by Peter Anthony Holder. We talked about Kill Shakespeare, the new series Juliet, the hidden city of my birth, and EXACTLY how arrogant we were in deciding to rewrite this little known literary hack called Shakespeare...I'm on with a doctor who invented a "Hangover Heaven Bus" to help the, uh, overly enthusiastic denizens of Las Vegas, and a super talented writer/producer of the web-series 'Riley' - about a child star's life gone horribly, hilariously wrong as an adult.Go here to check out the episode -- we're #0398 if it's no longer at the top of the page.But if you're not interested in one of the most bizarre news summaries you'll ever hear, the Doctor to the Drunk, the fate of a child star all- grown up, and The Idiot of The Day, you can just listen to my segment here.Enjoy!
An Afternoon (and early evening) in Paradise!
Just wanted to write a quick thanks to everyone who took the time to come out to our signing for JULIET #1 at the AMAZING Paradise Comics.I had a great time seeing some old friends (Keith WTS Morris, yes! Doug and Peter), and making LOTS of new ones (including Peter's terminally cute little girl, Violet.) Below are pictures of super fans, Rachel, Dominic (aka the Kiwi Kid), The Voltron Sisters, the Big A and Terran - whose also the winner of out Twitter picture contest and will now win a copy of Juliet #1 when it comes out in trade.Can't wait to do it all again for issue #2!
CAPTION CONTEST
It's contest time!With Kill Shakespeare - Past is Prologue: Juliet #1 just a week away (WEDNESDAY, APRIL 5th), it's time to do some fun things to get us all ready for the latest chapter in our tale. Below is a panel from issue #1 of Juliet.Send us your best caption for it and the winner will receive a Kill Shakespeare prize-pack including books, t-shirts and more! 
For those of you not familiar with Juliet it takes place roughly five months after the end of Romeo & Juliet, where our heroine, still mourning the death of her beloved Romeo again comes face to face with death. This time the victim is her mother, and this time Juliet has reason to suspect it was not suicide, but a murder most foul. Now the headstrong and passionate young woman will be plunged into a world of rebels, mercenaries, and wise fools as she tries to bring her Mother's killer -- before Juliet herself is the next victim.It's the perfect place for a new reader to jump into the Kill Shakespeare Universe, and for you, our dedicated fans, it answers some of the questions we get the most: how did a girl, best known for being a star-cross'd lover come to lead a rebellion?As the Bard himself wrote "...be not afraid of greatness."All the best,Conor
I'll be at New York Comic-Con this week!
Hello fans!Things have been busy here in Kill Shakespeare Land with lots of work and deadlines of late. Many things to announce in the coming months...But first, I want to announce that I'll be attending New York Comic-Con this upcoming week in my adopted city!I'l be at Table 1249 the entire weekend, along with some helpers at the table. I'll have copies of all Kill Shakespeare volumes, our board game, our ShakesGear t-shirts, and copies of Assassin's Creed (Volume 1 and issues 6-12) and Sherlock Holmes vs Harry Houdini. And you'll be able to find out more about our future projects as well!
I'll also be attending a few panels and signings. These include:Dynamite Comics' Panel - Thu, Oct 6 @ 7:45pm (Room 1A02)How to Self-Publish - Fri, Oct 7 @ 11am (Room 1A02)Assassin's Creed Signing - Sun, Oct 9 from 12 noon - 1pm (Titan Comics' Booth)So come by and visit me - it's gonna be a great show!
Our Threadless Artist Shop is NOW OPEN!
One of the greatest frustrations we've had on the convention scene is having to tell customers, especially our American ones, that while our SHAKESGEARE line of shirts is available, that shipping out of Canada starts to get crazy expensive.Well, we're happy to announce that won't be a problem anymore.We now have a THREADLESS ARTIST SHOP. For those of you who don't know Threadless is THE place to buy awesome t-shirts on the wen, and now our cool designs are there too. Being with them means much better shipping options across the USA as well as making it easy to offer new products like long-sleeve shirts, hoodies, and customizable colours for the shirts.
We're also SUPER EXCITED to offer some NEW DESIGNS. We've had so many people ask to get the Tide of Blood cover on a T that we just HAD to listen -- that'll be up soon -- but here are a couple of the new goodies available RIGHT NOW!
The only trick is that if you search their site for 'Kill Shakespeare' you won't find our artist shop - you need to cruise right in to the URL which you can find at this link. Put it in your bookmarks and you'll never go wanting for Kill Shakespeare clothing!
Sneak Peek at NEW PAGES!
As some of you have seen, Kill Shakespeare is coming back to the page.We're working on our fifth book, "Juliet" which is going to take a step back from the main story to show you how Juliet started on the path towards becoming Prodigal leader. Set just a a few months after the end of Romeo and Juliet, we pick up our heroine as an angry young woman, who still feels guilt over Romeo's death, and isn't sure that she deserved to have survived. A horrific murder will give Juliet a cause, bloody vengeance, and pit her against one of Shakespeare's nastiest villains, Cornwall from King Lear. Can Juliet get revenge? And will she lose herself in the process?Unfortunately for us, the uber-talented Andy Belanger can't join us this time out, so instead we have tapped the ALSO uber-talented Corin Howell! She's best known for her work with BOOM! (Power Rangers), Viz Media (Bravest Warriors), Oni (The Mighty Zodiac) and IDW (Transformers), and now we've got her doing pencils and inks for our baby!Vaneda Vireak, whose work featured in the back-up story for The Mask Of Night is on-board to colour the book and we could not be happier with their work.Ah heck, why don't we stop gushing and SHOW you?Below are some pencils from the first chapter of the series - we'd love to hear your thoughts on this new comic-adventure!
The Year of Shakespeare!
To post, or not to post...I'm back after a two-week sojourn into the colds of Canada... Actually, I took two weeks with Lisa to celebrate the holidays and am now back to the grindstone, plugging away at scripts for projects already announced or soon-to-be-announced. The last year (2015) was a great one, and it's looking like 2016 will be even better.Not only that, it's also the Year of Shakespeare around the world. Why? Well, it's the 400th anniversary of Shakespeare's death (he died on his birthday, April 23, 1616). Shakespeare organizations from around the world will be celebrating and acknowledging this with a great deal of pomp and circumstance. 
And for us? Well, we have a few things up our sleeves but nothing to announce quite yet but stay tuned - there are at least two big things we'll be involved with this year that are Kill Shakespeare-related.
New York Comic-Con!
Hello! It's been a while as I've been quite busy over the last month with lot of stuff going on and lots of news to announce in the coming months. It's a little frustrating as I love to be able to post information regularly for our readers but, alas, I also need to make time to do, well, actual creative work that I will be able to write about!But today I write about this weekend... The New York Comic-Con!Yes, we will be attending the New York Comic-Con this weekend (Oct 8 -11) at the Javits Centre. It's the second-largest comic convention in North America and seems to grow bigger and bigger each year (with attendance hitting about 150,000, from what I've been told). It's always our biggest show of the year and this year it'll be just as big for us!
WHERE WE'LL BE (OUR BOOTH)We'll be at the same spot we've had for the last three years - BOOTH #1249, locating in Small Press area and close by the Marvel and Image booths. It's a great spot and we're happy to return. Conor will be overseeing the operation this weekend and I will be there on Thursday, Friday and Sunday. And joining us this time around is our amazing Marketing Coordinator Keith Morris! So swing by to pick up copies of Kill Shakespeare (including our recently-released hardcover book), Sherlock Holmes vs Harry Houdini (now available in graphic novel!), our board game, our t-shirts, and the first issue of Assassin's Creed (being released on Wed, Oct 14th!).ASSASSIN'S CREED - PANEL AND SIGNINGSTo celebrate the release of Assassin's Creed #1, we'll be taking part in a number of signings and a panel talk with Titan Comics. Our signings will be:Thur 3:15 - 4:15 - Titan Comics Booth # 2142Fri 1:30 - 2:30 - Titan Comics Booth # 2142Sat 2 -3 - Titan Comics Booth # 2142And our panel is:PANEL: ASSASSIN’S CREED COMICS PANELTime: 1:45PM – 2.45PM - Room IA24Guests: Richard Farrese (AC Scriptwriter at Ubisoft), Aymar Azaizia (AC Head of Content), Anthony Del Col (writer), Conor McCreery (writer), Dennis Calero (artist), Fred Van Lente (Templars writer), Andrew James (Executive Editor) So come by and say hello - it would be great to see you!
Development for TV
For the last few years our fans have been asking if we plan on developing Kill Shakespeare for film or tv. Well, today it became official!You can read the official notice here on Deadline.com.We are developing Kill Shakespeare with Universal Cable Productions, the studio responsible for the current hit MR. ROBOT (a favorite of mine) for television. While we're still in the very, very early stages we hope to be able to announce some other cool developments for the television project. So stay tuned!
Appearing at London's MCM Show this weekend!
Just got back from a whirlwind two weeks in Europe - and now I'm going back there!In addition to my Inspired By: Shakespeare talk at the Globe Theatre this Thursday evening at 7pm, I will be attending the London MCM Comic-Con this weekend (Fri, May 22 - Sun, May 24) at the ExCel Centre in Southwest London. I am located in the Comics Village section, Table #CB1 (map can be found here).
It'll be my fourth time appearing at the show and I'm excited to return to what is always an amazing show. And this year I'll have our new hardcover Kill Shakespeare book and some other special things.So if you're in London this weekend - or know anyone that is - come by and visit me!
Appearing at Shakespeare's Globe next month!
Look out, London!I am quite excited to announce that I will be doing a talk the Shakespeare's Globe Theatre in London, UK next month. I am the first speaker in their SHAKESPEARE: INSPIRED series of talks in the brand-new Sam Wanamaker Playhouse, a new candle-lit theatre that replicates what the first inside theatre were like in Shakespeare's time.It will be one-hour talk about the process behind the creation of Kill Shakespeare, the Bard in comics, inspirations, and everything else. It'll be different than any other presentation I've done for a number of reasons, two being that IT'S THE FREAKIN' GLOBE THEATRE(!) and also I won't have the safety net of a PowerPoint presentation behind me. That's right, I'm going rogue for this talk! Who knows what will happen? Anything could happen!The exact details of my talk are:Thursday, May 21st @ 7pm @ Sam Wanamaker Playhouse.Tickets are 15 GBP, 12 GBP for students - available hereOfficial Link hereThere will be book signings afterwards. 
In addition to the Shakespeare's Globe talk, I will also be appearing at the MCM London Comic-Con from May 22 - 24th. It's a show I've attended three times in the last few years and I'm excited to return. I'll post more information about this in the coming weeks.
This is why we do this...
I received an email from an old high school friend of mine last week, who I haven't heard from in almost 20 years (don't do the math, please...). He's now living in Europe (he moved back during high school) and discovered Kill Shakespeare in his own journeys. It was a really nice thing to receive out of the blue.
We spend so much of our lives working on our stories and one of the best things is to know that people are reading what we've written - and more importantly, that it helps bring people together. It makes all of the long hours and doubts completely worth it.The letter reads (I've edited out one line in the opening paragraph):Hello Anthony.You may not remember me, but we went to school together back in South Porcupine. We had mutual friends... and back then I used the name Matti. Only after moving to Finland have I started using my real name. But as to the reason of this letter. It is nothing more then a letter from an acquaintance from long ago congratulating you on your achievements. I literally stumbled onto Kill Shakespeare while working. A few years ago I was working as a child and family counselor in the university hospital of Tampere in the pediatric oncology and hematology unit. I walking into a patients room, and as I said literally stumbled on this book. I was immediately intrigued, as was the patient due to my English language. It turned out to be just the right "ice breaker" that was needed to start the process I went through with the family for what turned out to be a long, painful and sadly final trip to the hospital for this family. But it wasn't until now, years later I once again came across this series that I looked a little closer at it and realized that it was the Anthony that I knew back in Porcupine. I now live with my family close to the Russian boarder in a small town/village called Kiihtelysvaara,close to Joensuu in North-Eastern Finland where I am going for my masters in theology to become a pastor at the university. As such, from time to time I do work with the youth group and young adults. One of youth group kids brought your comic on a camping trip that we were on and he asked that I read it to them as my pronunciation is somewhat better then theirs.So congrats to you Anthony, you have a following way over here in Finland too. I wish you all the best. Kindest regards,Matti
The Mask of Night collected edition is out next week!
I'm excited to announce that the collected trade paperback of THE MASK OF NIGHT is being released next week in comic shops around the world (and bookstores will be the following week). So if you're looking for a great holiday gift idea for that comic and/or Shakespeare fan in your circle, our fourth volume could be it!
This collected book includes the original four issues, a new backup story detailing the backstory of our protagonist's brother Sebastian (tying it into our Kill Shakespeare universe), and a page-by-page dissection of script-to-artwork.We're excited to see the final product when it arrives (after LA port delays) and we know you will too!
The Gameplay's the thing and it's FINALLY here!
The Board Games are FINALLY arriving.
It's been a LONG process (much longer than we ever expected and we're sorry about that), but we are starting to receive tweets and emails that you, our supporters, are receiving your copies of Kill Shakespeare: The Board Game.
Anthony and I had the privilege to see the game in Edmonton and New York, and we can tell you that it drew a LOT of attention from passer-by's. We even had one guy offer to buy the display copy for $200!
But we didn't want to leave it to total strangers to get a look at our new baby, so below are some pics of the game. I hope you'll agree that while it has taken some time to get ready, it looks like time well spent.
Also, the amazing folks at IDW want you to have the best game-playing experience possible. Once you get your game if you have ANY questions about how a rule works simply tweet @IDWGames or email Nate Murray: Nate@idwpublishing.com with that question and within 72 hours Nate will post a short video that will show you exactly how that part of the game works.
Yes, that's right, personalized rule explanations! That's pretty Bard-ass if I do say so myself.
(oh Conor, you're such a wit)
Now go swoon over some awesome game pictures!
Kill Shakespeare in London!
Though I'm still recovering from the melee that was the New York Comic-Con this past weekend, I am now preparing for one final comic-con (for me) this year. And is it not fitting that it'll be in the place that Shakespeare became famous - London, England?
Yes, I'm heading to London next week for the London MCM Comic-Con. Conor attended the show back in May and I attended a couple of the show last year and they were all great. It's an amazing city with a huge appetite for anything geek (and Shakespeare). There are a great group of organizers involved and the crowds are huge and wild.The show takes place next Friday (October 24) until Sunday (the 26th) and I will be there all three days. Once I have my exact table number (and panel info) I'll post them online but it shouldn't be too hard to find me at the show.So if you're in London please spread the word - the Canadian is invading! The Canadian is invading!
New York - A Hell of a Town!
Well, what has quickly become the busiest convention of the year for us has just ended... The New York Comic-Con! Some reports indicate that the show is now bigger than San Diego in terms of attendance; I don't know if this is the case but I do know that it's a really big show.We had a great time in the city this year - meeting with fans, finding new readers, seeing the board game for the first time, and selling our new Sherlock Holmes vs. Harry Houdini series as well. We broke sales records and look forward to winding down the year with only a couple more.Here are some pics from the weekend:
New York Comic-Con
We are now only a week away from our biggest comic-con of the year... The New York Comic-Con!It was five years ago that we attended this show and secured ourselves a publishing deal with IDW... and now we're back with not only the fourth volume of Kill Shakespeare but also the debut of our new Sherlock Holmes vs. Harry Houdini series.
We will be at Booth #1249 the entire weekend so swing by say hello, check out our final issue of Kill Shakespeare: The Mask of Night, the first issue of Holmes vs. Houdini... and our board game! You can find a floor plan here. Andy will also be at the show at Table N11.We will also be doing signings at some other booths over the span of the weekend. These will include:IDW Publishing (Booth #1844) - Fri (Oct 12) - 6 - 7pmDynamite Comics (Booth #2022) - Thu (Oct 11) - 2-3pmDynamite Comics (Booth #2022) - Sat (Oct 13) - 4-5pmDynamite Comics (Booth #2022) - Sun (Oct 14) - 11am - 12pmSo it'll be a busy weekend for us but do come and visit!
Great unboxing video for our Kill Shakespeare board game
Board game specialist has just posed an unboxing video for our Kill Shakespeare board game, coming out this month! Take a look (and try to resist admitting that his assistants are the cutest of all-time!).